
download link fixed

I found a great website for free vectors, you can also submit your own work and recieve feedback from other vector artists. "Vecteezy is an index of Free Vector Graphics available for download by some of the best artists around the world."
Note: The Live Trace Feature is avalable in Adobe Illustrator CS2 and CS3. You can also take a quick look at "Producing creative drawings with Live Trace and Live Paint"
Wednesday 19 Dec 2007
In this tutorial we will use vector elements to create a four-way repeating pattern swatch in Adobe Illustrator and then mask the pattern into several mock products. So, let’s get started! Fulltutorial
Browsing www.brushes.obsidiandawn.com I found great proposal for holiday design projects. A set of 32 brushes made up of various vector designs and shapes. Most designs come in a basic shape of that brush, then another with one shape inside another - somewhat offset, another with dots or smaller versions of that same shape within it, and all kinds of variations of that. Great for making patterned paper or patterns, or for single embellishments to a design.


To create precise vector graphics in Flash, it’s all about learning to use and control the tools.

Chromatic Bytes has updated ZeusDraw—a vector drawing program that has both vector brushes and textured, pixel-based brushes that remain objects that can be selected, edited (path and attributes), moved, scaled and rotated—to version 1.2.1. It contains a number of small changes to insure that ZeusDraw works well on Mac OS X 10.5 (“Leopard”). Read More
Hordylan is the new president of the 12-year-old 700-member Avid Toronto Users' Group (replacing the group's founder Al Mitchell), and he's keen to put the perfect spin on the technology. "Everyone I know in the industry has one," boasts Hordylan. "You never have a problem with Avid."
Hordylan's message comes across as pure PR (as Avid is celebrating its 20th anniversary this year), but as the new leader of the non-profit association, his top priority is actually to create a much-needed directory and database of editors in a revamped ATUG website.
"I've noticed the difficulties production and post-production facilities have had finding freelance editors," says Hordylan. "My hope is that through the website, the frustrations of companies looking for editors will end."
Avid Technology is fully supporting the project and has promised Hordylan that the site will be up before 2008. The directory will offer every ATUG member one free demo and CV page and the site will also feature job postings and a forum.
Hordylan says the invigorated group will also increase the scope and variety of its seminars - which typically attract about 80 participants - adding sessions that underline "what editing really is - an art form."
On Oct. 25, at the Bravo! studio in the former CHUM/City Building on Queen Street, ATUG will present a panel on editing dramas and comedies.
Eric Abboud, who has worked on Bravo!'s Arts and Minds, will host, and one panelist, The Tudors' editor Lisa Grootenboer, has been confirmed to participate.
Another more technology-based session dealing with intra-frame editing, advanced motion effects, vector-based graphics and advanced key framing is expected to take place in late November.
Hordylan notes that ATUG founder Mitchell started the first Avid user group in the world and that chapters now exist in the Middle East, Japan and the U.S.
Producing a creative drawing on paper tends to be a two stage process involving “inking” and “colouring”: sketching the defining lines in black and then filling this framework with colour. The first mainstream program to attempt to translate creative drawing to a computer environment was Adobe Illustrator back in 1987. Based on Adobe’s PostScript technology, Illustrator and subsequent competitors such as CorelDRAW and Macromedia FreeHand build their drawings as mathematically-defined vectors or “paths”. “Stroking” an open-ended path produces a line and filling a closed path produces a coloured shape. And with a stack of stroked and/or filled paths you have all you need to reproduce any illustration – or technical drawing, graphic design or even text-based layout. It’s a beautifully efficient system and one that has become second nature to generations of computer artists.
Second nature maybe, but no-one could say that drawing with vectors is truly natural. Compared to the simple creative freedom of sketching on paper, the whole process of drawing onscreen is intrinsically awkward and indirect despite important advances such as freehand tools and digitizing tablets. And there are further limitations imposed by the underlying vector architecture. For creative drawing, you often want lines that are fluid and expressive, but that’s just not possible with stroked paths which are intrinsically uniform along their length. Again advances such as vector brushes that treat each stroke as a filled path radically improve the end results – Creature House’s Expression deserves especial credit here - but no-one could claim they were as natural as pens and pencils.
by www.designer-info.com veiw full Article

Searching for new patterns for texturizing an element in a composition of mine I found a great resource in Deviantart You can download the set from here . The patterns are for Adobe Photoshop CS and higher versions. The pack contains 17 assorted patterns, most of them are vertical lines in diferent colors. Also created in Photoshop heare is the link to the authors profile. Enjoy :)
Download from here. Enjoy !
A great proposal for variegating your design work - a pattern collection for Adobe Photoshop CS2 , CS3. Download
Since there's a visible trend towards heraldic-symbols in graphics design the illustrator decided to gather some of these symbols and trace them so that they can be used in Inkscape and any other vector-illustration software. This set contains over 70 Brushes! Images taken from www.heraldicclipart.com . You can use these bruses free and do whatever you want with them. Download
Artist comments: "Don't ask me why I did another piece involving a nose bleed, but I did, and you'll all just have to deal with it. I think its the stark contrast between something beautiful and grotesque."
According to the IStock web site, the price of ten credits –– the least that a customer can buy at one time –– will rise to $13. Currently, the division charges $12 for ten credits. The price of 600 credits will be $600 after Aug. 19. Until that date, customers can purchase 625 credits for the same $600.iStockphoto, the Getty Images "microstock" subsidiary that sells low-cost imagery and video, will announce Monday plans to raise prices and therefore photographer revenue next month along with a number of promotional activities.
The company sells credits that give customers rights to use contributors' photos in materials such as advertisements, Web sites or brochures. The higher the resolution, the more credits an image costs, and the credit cost will increase from $1.20 to $1.30 on August 19, said iStockphoto Executive Vice President Kelly Thompson. (Credits are cheaper in bulk.)
Because photographers get a proportion of the credit cost ranging between 20 percent and 40 percent, the increase will mean a few more pennies at least per sale for photographers, too. That may not sound like much, but some popular photos sell hundreds or even thousands of times over, so there are economies of scale at work here. Read more
Busy preparations for one of the most awaited festivals this year have already commenced as Squadron have just launched their official Squadron Festival 2007 website (www.squadronfestival.com).
by di-ve.com Tuesday, 17 July, 2007
Adding animation to your illustration work can reap great creative and financial rewards. But what does it take to make the small jump from Illustrator to Flash, Photoshop to After Effects and page to screen? Nick Spence finds out.For any illustrator safe in the static world of editorial illustration, animating your work may seem a job best left to others. New skills, new software to learn, thinking not just about the image but also about time, will certainly present fresh challenges. But the rewards for adding animation to your creative canon should outweigh any lingering doubts about venturing outside of your comfort zone.
The rise of broadband and mobile content in recent years has opened up vast new opportunities for anyone creating animation and motion graphics. Online interactive content is big business and much has been made of the potential funds available in web advertising. The internet is now also the ideal platform to showcase your animation skills, with broadband best able to cope with the most demanding video and audio showreels. Many savvy illustrators have added impressive animation sections to their personal online portfolios to great effect. Continue
article by www.computerarts.co.uk
Faster than a tracing hand, this powerful software is the raster to vector converter you need for Illustrator (Adobe), CorelDraw (Corel), Flash (Macromedia), WebDraw (Jasc), Sodipodi (freeware) and any vector-based software. Vector Eye instantly converts scanned black-and-white or color raster images (bmp, jpg, tiff, png) into editable vector files (svg, ps, eps).
Well a jacuzzi full of blood...with hot vampire girls, that sounds fun. This vector illustration reminds me of an awful scene from Tarantino's HOSTEL 2. I coudn imagine that blood bath can be attractive. Artist page
In this tutorial I hope to illustrate some of the process of logo design using Adobe Illustrator. However, I must stress, this is not so much a tutorial on the use of Adobe Illustrator as it is a way to show you one method of the "process" of refining an image to a corporate identity (logo) or stylized illustration.The basic process here could be applied to any application.
