Searching for new patterns for texturizing an element in a composition of mine I found a great resource in Deviantart You can download the set from here . The patterns are for Adobe Photoshop CS and higher versions. The pack contains 17 assorted patterns, most of them are vertical lines in diferent colors. Also created in Photoshop heare is the link to the authors profile. Enjoy :)
Friday, September 28, 2007
Tuesday, September 25, 2007
Live Trace Tutorial
A video demonstration how to use Adobe Illustrator to turn pixel based images in scalable vectors by using Live Trace.In this tutorial we will look at a fast and easy, yet highly optional and precise way of tracing your photos or sketches in Illustrator. The possibilities are endless! This feature is not available in earlyer than CS2 versions of Adobe Illustrator
Monday, September 24, 2007
Adobe Illustrator Brushes
Sunday, September 23, 2007
Contemporary Printmaking
Exploring the widening frontiers of contemporary printmaking
By JOAN FINN
of The Montclair Times
By JOAN FINN
of The Montclair Times
Always a frontrunner in the celebration of the visual arts, the George Segal Gallery at Montclair State University has long been known for presenting innovative and informative art exhibitions. And in pursuing that goal, the gal-lery is focusing on the effect that a rapidly evolving technology has on the art of contemporary printmaking.
“Contemporary Printmaking at the Crossroads,” on view through Nov. 10 at the George Segal Gallery, investigates the ways digital processes are transforming contemporary printmaking today. An opening reception will be held on Friday, Sept. 28, from 7 to 9 p.m. The public is invited to attend.
“Printmaking has traditionally accepted and even embraced the concept of the hybrid, with printmakers often incorporating multiple processes into the making of a single print,” said Catherine Bebout, who along with Mary Birmingham, are the curators of the exhibition. “Today printmaking continues to earn its reputation as a ‘democratic medium,’ integrating traditional techniques like etching, woodcut, lithography, and silkscreen with photo-based media and emerging digital applications. At the crossroads where traditional and digital processes intersect, new hybrids are energizing the practice, and even redefining our understanding of the ‘original print.’”
Constantly evolving digital technologies are transforming the realm of contemporary printmaking, concurred Curator Mary Birmingham. “The Internet provides a vast array of images and information available instantaneously,” she said. “Raster- and vector-based graphics-editing programs like Adobe Photoshop and Illustrator enable artists to create and manipulate images. Large-format archival pigment printers allow them to push the limits of scale and production. Consequently, this expanding field is inspiring traditional printmakers and attracting artists from outside the print world — painters, photographers and sculptors — fostering an atmosphere of cross-pollination that is provocative and enlivening.” Full article
“Contemporary Printmaking at the Crossroads,” on view through Nov. 10 at the George Segal Gallery, investigates the ways digital processes are transforming contemporary printmaking today. An opening reception will be held on Friday, Sept. 28, from 7 to 9 p.m. The public is invited to attend.
“Printmaking has traditionally accepted and even embraced the concept of the hybrid, with printmakers often incorporating multiple processes into the making of a single print,” said Catherine Bebout, who along with Mary Birmingham, are the curators of the exhibition. “Today printmaking continues to earn its reputation as a ‘democratic medium,’ integrating traditional techniques like etching, woodcut, lithography, and silkscreen with photo-based media and emerging digital applications. At the crossroads where traditional and digital processes intersect, new hybrids are energizing the practice, and even redefining our understanding of the ‘original print.’”
Constantly evolving digital technologies are transforming the realm of contemporary printmaking, concurred Curator Mary Birmingham. “The Internet provides a vast array of images and information available instantaneously,” she said. “Raster- and vector-based graphics-editing programs like Adobe Photoshop and Illustrator enable artists to create and manipulate images. Large-format archival pigment printers allow them to push the limits of scale and production. Consequently, this expanding field is inspiring traditional printmakers and attracting artists from outside the print world — painters, photographers and sculptors — fostering an atmosphere of cross-pollination that is provocative and enlivening.” Full article
Tuesday, September 11, 2007
Vector Skateboard Template (Blank)
Here we have another great resource for all skateboard deck designers out there. A blank skateboard template in vector format for Adobe Illustrator.
Might be useful if you scan sketches and implement them within the template. The size of the vector template isclose to the standard skateboard deck.
Sunday, September 9, 2007
Another great vector brush collecion
Vector Brush collection by vihr2. Compatible With Photoshop CS2. and CS3. The set contains 20 brushes, Appx. Size: 256x256 Pixels.
Download from here. Enjoy !
Friday, September 7, 2007
Vector Growth
Thursday, September 6, 2007
Variegate your work with new Photoshop Patterns
A great proposal for variegating your design work - a pattern collection for Adobe Photoshop CS2 , CS3. Download
Wednesday, September 5, 2007
Vector Tutorial
View the tutorial : www.vectorportraits.com This is a step-by-step guide on creating your own vector portraits using Photoshop. Site also features a gallery so you can upload a vector that you finished after reading the tutorial.
I really hope that this tutorial could help those who want to start with vectoring photos.
svg Heraldic Brushes
Since there's a visible trend towards heraldic-symbols in graphics design the illustrator decided to gather some of these symbols and trace them so that they can be used in Inkscape and any other vector-illustration software. This set contains over 70 Brushes! Images taken from www.heraldicclipart.com . You can use these bruses free and do whatever you want with them. Download
Tuesday, September 4, 2007
Big Girls Don't Cry
Artist comments: "Don't ask me why I did another piece involving a nose bleed, but I did, and you'll all just have to deal with it. I think its the stark contrast between something beautiful and grotesque."
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